1、ffiirrH*+ 2arc+Eilfifi*ffif;t+fifififi# (A) #ttFlEl: 850 I+wA-FilF ,BiI, (150r) *,itFIlEl, 3/$Ff1. *$TAJ4XF&+I , #*lVt&F#ffnA*fii.Y.u(ffi* s0 rl,wia +s ,- tt+ 75 tt)Do you think I can stay to become nothing to you? Do you think I am an automaton? - amachine without feelings? and can bear to have my
2、morsel of bread snatched form my lips, andmy drop of living water dashed from my cup? Do you think, because I arn poor, obscure, plain,and little, I am soulless and heartless? You think wrong! - I have as much soul as you - and fullas much heart! And if God had gifted me with some beauQ and much wea
3、lth, I should have madeit as hard tbr you to leave me, as it is norry for me to leave you. I am not talking to you nowthrough the medium of custom, conventionalities, nor even of mortal flesh: it is my spirit thataddress your spirit; just as if both had passed through the grave, and we stood at Gods
4、 feet,equal-as we are!2.KT4J4AFfi+I, *xtvw.frafixEAfffti*&(ffi* ro rl,wtr 45lr,t*if ?5 rl)The beginnings of the realist narrative style can be attributed to Frenoh novelist andplaywright Honord de Batzac. His portraits of ordinary French life were remarkable in theircareful attention to details. Bal
5、zac reportedly consulted with associates in order to leam moreabout specific subjects, so as to portray them in their fullness. He expressed the idea thatcharacters come to life through the painstaking accumulation of environmental details Hismethodology was a departure from the Rontantic hadition w
6、hich was neax its zenith when he wascrafting his stories. Balznc also put enofinous emphasis on the settings of his stories Whetherurban or provincial, the locale almost becomes a character of its own. His most famous work,which was left unfinished, was The Hwnan Comedy, an assorftnent of interwoven
7、 tales and novelswhich depict life in early nineteenth century Franc.e. The effect of the narrative buildup tn TheHwnan Cornedy is the realization of an epic that is more than the sum of its parts. Like the realistswho would follow in his footsteps, Balzac did not rely on profound or speotacular events to movehis stories along. Instead, he paid attention to the small things, the nuances that made up ttrcexperience oftypical French life.ffi rtE. (A 1 F)
