1、2011 年全国硕士研究生入学考试英语(一)Section IUse of English Directions:Read the following text. Choose the best word(s) for each numbered blank and mark A, B, C or D on ANSWER SHEET 1. (10 points)Ancient Greek philosopher Aristotle viewed laughter as “a bodily exercise precious to health.” But - 1 some claims to
2、the contrary, laughing probably has little influence on physical fitness Laughter does 2 short-term changes in the function of the heart and its blood vessels, 3_ heart rate and oxygen consumption But because hard laughter is difficult to 4 , a good laugh is unlikely to have 5 benefits the way, say,
3、 walking or jogging does. 6 , instead of straining muscles to build them, as exercise does, laughter apparently accomplishes the 7 , studies dating back to the 1930s indicate that laughter 8 muscles, decreasing muscle tone forup to 45 minutes after the laugh dies down.Such bodily reaction might conc
4、eivably help _9 the effects of psychological stress. Anyway, the act of laughing probably does produce other types of 10 feedback, that improve an individuals emotional state. 11 one classical theory of emotion, our feelings are partially rooted 12 physical reactions. It was argued at the end of the
5、 19thcentury that humans do not cry 13 they are sad but they become sad when the tears begin to flow.Although sadness also 14 tears, evidence suggests that emotions can flow 15 muscular responses. In an experiment published in 1988,social psychologist Fritz Strack of the University of wrzburg in Ger
6、many asked volunteers to 16 a pen either with their teeth-thereby creating an artificial smile or with their lips, which would produce a(n) 17 expression. Those forced to exercise their smiling muscles 18 more exuberantly to funny cartons than did those whose mouths were contracted in a frown, 19 th
7、at expressions may influence emotions rather than just the other way around 20 , the physical act of laughter could improve mood.1AamongBexceptCdespiteDlike2AreflectBdemandCindicateDproduce 3AstabilizingBboostingCimpairingDdetermining 4AtransmitBsustainCevaluateDobserve 5AmeasurableBmanageableCaffor
8、dableDrenewable6AIn turnBIn factCIn additionDIn brief 7AoppositeBimpossibleCaverageDexpected 8AhardensBweakensCtightensDrelaxes 9AaggravateBgenerateCmoderateDenhance 10AphysicalBmentalCsubconscious Dinternal 11AExcept forBAccording toCDue toDAs for 12AwithBonCinDat13AunlessBuntilCifDbecause 14Aexhau
9、stsBfollowsCprecedesDsuppresses 15AintoBfromCtowardsDbeyond 16AfetchBbiteCpickDhold 17Adisappointed BexcitedCjoyfulDindifferent 18AadaptedBcateredCturnedDreacted 19AsuggestingBrequiringCmentioningDsupposing 20AEventuallyBConsequently CSimilarlyDConverselySection IIReading Comprehension Part ADirecti
10、ons:Read the following four texts. Answer the questions below each text by choosing A, B, C or D. Mark your answers on ANSWER SHEET 1. (40 points)Text 1The decision of the New York Philharmonic to hire Alan Gilbert as its next music director has been the talk of the classical-music world ever since
11、the sudden announcement of his appointment in 2009. For the most part, the response has been favorable, to say the least. “Hooray! At last!” wrote Anthony Tommasini, a sober-sided classical-music critic.One of the reasons why the appointment came as such a surprise, however, is that Gilbert is compa
12、ratively little known. Even Tommasini, who had advocated Gilberts appointment in the Times, calls him “an unpretentious musician with no air of the formidable conductor about him.” As a description of the next music director of an orchestra that has hitherto been led by musicians like Gustav Mahler
13、and Pierre Boulez, that seems likely to have struck at least some Times readers as faint praise.For my part, I have no idea whether Gilbert is a great conductor or even a good one. To be sure, he performs an impressive variety of interesting compositions, but it is not necessary for me to visit Aver
14、y Fisher Hall, or anywhere else, to hear interesting orchestral music. All I have to do is to go to my CD shelf, or boot up my computer and download still more recorded music from iTunes.Devoted concertgoers who reply that recordings are no substitute for live performance are missing the point. For
15、the time, attention, and money of the art-loving public, classical instrumentalists must compete not only with opera houses, dance troupes, theater companies, and museums, but also with the recorded performances of the great classical musicians of the 20thcentury. There recordings are cheap, availab
16、le everywhere, and very often much higher in artistic quality than todays live performances; moreover, they can be “consumed” at a time and place of the listeners choosing. The widespread availability of such recordings has thus brought about a crisis in the institution of the traditional classical
17、concert.One possible response is for classical performers to program attractive new music that is not yet available on record. Gilbe rts own interest in new music has been widely noted: Alex Ross, a classical -music critic, has described him as a man who is capable of turning the Philharmonic into “
18、a markedly different, more vibrant organization.” But what will be the nature of that difference? Merely expanding the orchestras repertoire will not be enough. If Gilbert and the Philharmonic are to succeed, they must first change the relationship between Americas oldest orchestra and the new audie
19、nce it hops to attract.21. We learn from Para.1 that Gilberts appointment hasAincurred criticism. Braised suspicion. Creceived acclaim. Daroused curiosity.22. Tommasini regards Gilbert as an artist who is Ainfluential.Bmodest. Crespectable. Dtalented.23. The author believes that the devoted concertg
20、oers Aignore the expenses of live performances. Breject most kinds of recorded performances. Cexaggerate the variety of live performances.Doverestimate the value of live performances.24. According to the text, which of the following is true of recordings? AThey are often inferior to live concerts in
21、 quality.BThey are easily accessible to the general public. CThey help improve the quality of music. DThey have only covered masterpieces.25. Regarding Gilberts role in revitalizing the Philharmonic, the author feels Adoubtful.Benthusiastic. Cconfident. Dpuzzled.Text 2When Liam McGee departed as pre
22、sident of Bank of America in August, his explanation was surprisingly straight up. Rather than cloaking his exit in the usual vague excuses, he came right out and said he was leaving “to pursue my goal of running a company.” Broadcasting his ambition was “very much my decision,” McGee says. Within t
23、wo weeks, he was talking for the first time with the board of Hartford Financial Services Group, which named him CEO and chairman on September 29.McGee says leaving without a position lined up gave him time to reflect on what kind of company he wanted to run. It also sent a clear message to the outs
24、ide world about his aspirations. And McGee isnt alone. In recent weeks the No.2 executives at Avon and American Express quit with the explanation that they were looking for a CEO post. As boards scrutinize succession plans in response to shareholder pressure, executives who don t get the nod also ma
25、y wish to move on. A turbulent business environment also has senior managers cautious of letting vague pronouncements cloud their reputations.As the first signs of recovery begin to take hold, deputy chiefs may be more willing to make the jump without a net. In the third quarter, CEO turnover was do
26、wn 23% from a year ago as nervous boards stuck with the leaders they had, according to Liberum Research. As the economy picks up, opportunities will abound for aspiring leaders.The decision to quit a senior position to look for a better one is unconventional. For years executives and headhunters hav
27、e adhered to the rule that the most attractive CEO candidates are the ones who must be poached. Says Korn/Ferry senior partner Dennis Carey:”I cant think of a single search Ive done where a board has not instructed me to look at sitting CEOs first.”Those who jumped without a job havent always landed
28、 in top positions quickly. Ellen Marram quit as chief of Tropicana a decade age, saying she wanted to be a CEO. It was a year before she became head of a tiny Internet-based commodities exchange. Robert Willumstad left Citigroup in 2005 with ambitions to be a CEO. He finally took that post at a majo
29、r financial institution three years later.Many recruiters say the old disgrace is fading for top performers. The financial crisis has made it more acceptable to be between jobs or to leave a bad one. “The traditional rule was its safer to stay where you are, but thats been fundamentally inverted,” s
30、ays one headhunter. “The people whove been hurt the worst are those whove stayed too long.”26. When McGee announced his departure, his manner can best be described as being Aarrogant.Bfrank.Cself-centered. Dimpulsive.27. According to Paragraph 2, senior executives quitting may be spurred byA their e
31、xpectation of better financial status. Btheir need to reflect on their private life. Ctheir strained relations with the boards. Dtheir pursuit of new career goals.28. The word “poached” (Line 3, Paragraph 4) most probably means Aapproved of.B attended to. Chunted for. Dguarded against.29. It can be
32、inferred from the last paragraph that Atop performers used to cling to their posts. Bloyalty of top performers is getting out-dated. Ctop performers care more about reputations. Dits safer to stick to the traditional rules.30. Which of the following is the best title for the text? ACEOs: Where to Go
33、?BCEOs: All the Way Up?C Top Managers Jump without a Net DThe Only Way Out for Top PerformersText 3The rough guide to marketing success used to be that you got what you paid for. No longer. While traditional “paid” media such as television commercials and print advertisements still play a major role
34、, companies today can exploit many alternative forms of media. Consumers passionate about a product may create “owned” media by sending e -mail alerts about products and sales to customers registered with its Web site. The way consumers now approach the broad range of factors beyond conventional pai
35、d media.Paid and owned media are controlled by marketers promoting their own products. For earned media , such marketers act as the initiator for users responses. But in some cases, one marketers owned media become another marketers pa id media for instance, when an e-commerce retailer sells ad spac
36、e on its Web site. We define such sold media as owned media whose traffic is so strong that other organizations place their content or e-commerce engines within that environment. This trend ,which we believe is still in its infancy, effectively began with retailers and travel providers such as airli
37、nes and hotels and will no doubt go further. Johnson & Johnson, for example, has created BabyCenter, a stand-alone media property that promotes complementary and even competitive products. Besides generating income, the presence of other marketers makes the site seem objective, gives companies oppor
38、tunities to learn valuable information about the appeal of other companies marketing, and may help expand user traffic for all companies concerned.The same dramatic technological changes that have provided marketers with more (and more diverse) communications choices have also increased the risk tha
39、t passionate consumers will voice their opinions in quicker, more visible, and much more damaging ways. Such hijacked media are the opposite of earned media: an asset or campaign becomes hostage to consumers, other stakeholders, or activists who make negative allegations about a brand or product. Me
40、mbers of social networks, for instance, are learning that they can hijack media to apply pressure on the businesses that originally created them.If that happens, passionate consumers would try to persuade others to boycott products, putting the reputation of the targ et company at risk. In such a ca
41、se, the companys response may not be sufficiently quick or thoughtful, and the learning curve has been steep. Toyota Motor, for example, alleviated some of the damage from its recall crisis earlier this year with a relatively quick and well-orchestrated social-media response campaign, which included
42、 efforts to engage with consumers directly on sites such as Twitter and the social-news site Digg.31. Consumers may create “earned” media when they areA obscssed with online shopping at certain Web sites.B inspired by product-promoting e-mails sent to them.C eager to help their friends promote quali
43、ty products.D enthusiastic about recommending their favorite products.32. According to Paragraph 2,sold media featureA a safe business environment.B random competition.C strong user traffic.D flexibility in organization.33. The author indicates in Paragraph 3 that earned mediaA invite constant confl
44、icts with passionate consumers.B can be used to produce negative effects in marketing.C may be responsible for fiercer competition.D deserve all the negative comments about them.34. Toyota Motors experience is cited as an example ofA responding effectively to hijacked media.B persuading customers in
45、to boycotting products.C cooperating with supportive consumers.D taking advantage of hijacked media.35. Which of the following is the text mainly about ?A Alternatives to conventional paid media.B Conflict between hijacked and earned media.C Dominance of hijacked media.D Popularity of owned media.Te
46、xt 4Its no surprise that Jennifer Seniors insightful, provocative magazine cover story, “I love My Children, I Hate My Life,” is arousing much chatter nothing gets people talking like the suggestion that child rearing is anything less than a completely fulfilling, life-enriching experience. Rather t
47、han concluding that children make parents either happy or miserable, Senior suggests we need to redefine happiness: instead of thinking of it as something that can be measured by moment-to-moment joy, we should consider being happy as apast-tense condition. Even though the day-to-day experience of raising kids can be soul-crushingly hard, Senior writes that “the v
