1、1Class report 23Miyazaki Hayao4One of the countrys most popular animators, Hayao Miyazaki, has produced some of the great classics of Japanese TV animation. Nevertheless,he finds television too restrictive, and prefers to make full-length animated movies. 宫崎骏是日本最受欢迎的宫崎骏是日本最受欢迎的漫画家之一，他曾制作了漫画家之一，他曾制作了
2、多部日本电视动画的经典多部日本电视动画的经典巨作。然而，他发现电视巨作。然而，他发现电视创作太受限制，因而更喜创作太受限制，因而更喜欢创作正片长度的动画电欢创作正片长度的动画电影。影。5 Hayao Miyazaki was born in Tokyo in 1941. His family owned a factory that built airplanes, and he fell in love with planes and flying at an early age. Anyone familiar with his films has seen the often breat
3、htaking flying scenes that are his personal trademark. 1941年宫崎骏出生于日本东年宫崎骏出生于日本东京。他的家族拥有一座制造京。他的家族拥有一座制造飞机的工厂，他早年也曾醉飞机的工厂，他早年也曾醉心于飞机及飞行。熟悉宫崎心于飞机及飞行。熟悉宫崎骏电影的人，都很熟悉他影骏电影的人，都很熟悉他影片中经常出现的常令人叹为片中经常出现的常令人叹为观止的飞行场景，那正是宫观止的飞行场景，那正是宫崎骏动画的一大特色。崎骏动画的一大特色。6In the film we can see, Hayao Miyazakis thinking is divi
4、ded into two levels: At the first level, Miyazaki thinks that the relationship between civilization and nature, just as same as the relationship between trees and soil. If the soil is not rooted in the earth, even tall trees can not survive. 我们可以看出，在本片中，宫崎骏的思考是我们可以看出，在本片中，宫崎骏的思考是分为两个层次的：在第一个层次中，宫崎骏分
5、为两个层次的：在第一个层次中，宫崎骏认为文明与自然的关系，就如同树木与泥土认为文明与自然的关系，就如同树木与泥土的关系一样。如果不植根于大地的泥土，即的关系一样。如果不植根于大地的泥土，即使是参天大树也无法存活。使是参天大树也无法存活。7In the second level, Miyazaki think that the vitality of civilization will be given by naturally , then the vitality will be destroyed by greed until the complete destruction of civ
6、ilization .在第二个层次中，宫崎骏认为如果说自然会在第二个层次中，宫崎骏认为如果说自然会赐予文明以生命力的话，那么贪欲则会夺取赐予文明以生命力的话，那么贪欲则会夺取文明的生命力直至彻底毁灭文明。文明的生命力直至彻底毁灭文明。8Valley of the Wind, 1984 film 风之谷风之谷Castle in the Sky, 1986 film 天空之城天空之城My Neighbor Totoro, 1988 film龙猫龙猫 Kikis Delivery Service, 1989 film 魔女宅急电魔女宅急电Princess Mononoke, 1997 film 幽灵
7、公主幽灵公主Spirited Away, 2001 film千与千寻千与千寻 (winner, Academy Award for Best Animated Feature, 2002) Howls Moving Castle, 2004 film霍尔的移动城堡霍尔的移动城堡(nominee, Academy Award for Best Animated Feature, 2005) Ponyo, 2008 film 悬崖岸上的金鱼姬悬崖岸上的金鱼姬9Miyazakis Styles Miyazakis works are characterised by the recurrence o
8、f progressive themes, such as environmentalism, pacifism, feminism, and the absence of villains（反派角色）. His films are also frequently concerned with childhood transition and a marked preoccupation with flight.Even though Miyazaki sometimes feels pessimistic about the world, he prefers to show childre
9、n a positive world view instead, and rejects simplistic stereotypes of good and evil.10Environmentalism（环保主义）（环保主义）Miyazakis films often emphasize environmentalism .In an interview with The New Yorker, Miyazaki claimed that much of modern culture is “thin and shallow（肤浅） and fake, “nature the mounta
10、ins and rivers was being destroyed in the name of economic progress.“Miyazaki is critical of capitalism, globalization and their impacts on modern life.Commenting on the 1954 Animal Farm animated film, he has said that “exploitation is not only found in communism（共产主义）, capitalism is a system just l
11、ike that. I believe a company is common property of the people that work there.But that is a socialistic idea.“Nonetheless, he suggests that adults should not impose their vision of the world on children.1112Pacifism（反战主义）Princess Mononoke and Howls Moving Castle feature anti-war themes.In 2003, whe
12、n Spirited Away won the Academy Award（奥斯卡金像奖） for Best Animated Feature, Miyazaki did not attend the awards show personally. He later explained that it was because he didnt want to visit a country that was bombing Iraq.13Feminism（女性主义）Miyazaki has been called a feminist by Studio Ghibli President To
13、shio Suzuki, in reference to his attitude to female workers. This is evident in the all-female factories of Porco Rosso（红猪） and Princess Mononoke（幽灵公主）, as well as the matriarchal（女族长制的） bath-house of Spirited Away. Many of Miyazakis films are populated by strong female protagonists（主人公） that go aga
14、inst gender roles common in Japanese animation and fiction. 14In contrast to American animation,the script and storyboards arecreated together, and animation begins before the story is finishedand while storyboards are developing.Especial creation process：1：exert imagination 尽情的想象尽情的想象1516Miyazaki t
15、akes a leading role when creating his films, frequently serving as both writer and director.He personally reviewed every frame used in his early films, though due to health concerns over the high workload he now delegates some of the workload to other Ghibli members .In a 1999 interview, Miyazaki sa
16、id, at this age, I cannot do the work I used to. If my staff can relieve me and I can concentrate on directing, there are still a number of movies Id like to make. 2：Commitment 全身心的投入17Miyazaki uses very human-like movements in his animation. In addition, much of the art is done using water colors.个
17、人的画风个人的画风18Miyazaki has used traditional animation throughout the animation process, though computer-generated imagery was employed starting with Princess Mononoke to give a little boost of elegance. However, in his 2008 film Ponyo, Miyazaki went back to traditional hand-drawn animation for everythi
18、ng, saying hand drawing on paper is the fundamental of animation. Studio Ghiblis computer animation department was dissolved before production on Ponyo was started, and Miyazaki has decided to keep to hand drawn animation.3：insistence tradition 对传统的坚持对传统的坚持19202122Lupin III Castle of Cagliostro 卡里奥斯
19、特罗之城（1979）.Nausicaa of the Valley of the Winds 风之谷(1984)23Laputa: Castle in the Sky 天空之城 （1985）One day, the girl fell from the sky24This strange creature(生物生物), perhaps still living in JapanMy Neighbor Totoro 龙猫（1988）25 I was really down for a while, but Im ok nowKikis Delivery Service 魔女宅急便 （1989）2
20、6Porco Rosso 红猪（1992） 27Princess Mononoke幽灵公主（1997）Live to be strong 28Howls Moving Castle哈尔的移动城堡（2004）29Ponyo on the Cliff 悬崖上的金鱼姬(2010)30We have no choice but prevail in the world from the start of this flu.On Your Mark我们别无选择，只能存这个流感盛行的世界我们别无选择，只能存这个流感盛行的世界出发。出发。Even in the hatred and killing ,the
21、re are still some things worthy of people in the live. A beautiful encounter ,or to the existence of beautiful things. We depict hatred ,are more important things to describe. We depict a curse ,is to describe the joy of liberation.princess Mononoke“即使是在憎恨和杀戮中，仍然有些东西值得即使是在憎恨和杀戮中，仍然有些东西值得人们为之活下去。人们为之
22、活下去。一次美丽的相遇，或是为了美丽的事物存在。一次美丽的相遇，或是为了美丽的事物存在。我们描绘憎恨，是为了描写更重要的的东西。我们描绘憎恨，是为了描写更重要的的东西。我们描绘诅咒，是为了描写解放后的喜我们描绘诅咒，是为了描写解放后的喜悦。悦。幽灵公主幽灵公主31Thank you32p 经常不断地学习,你就什么都知道。你知道得越多,你就越有力量p Study Constantly, And You Will Know Everything. The More You Know, The More Powerful You Will Be写在最后33感谢聆听不足之处请大家批评指导Please Criticize And Guide The Shortcomings结束语讲师：XXXXXX XX年XX月XX日
